{"created":"2023-06-19T08:55:34.809232+00:00","id":1435,"links":{},"metadata":{"_buckets":{"deposit":"495c1365-ef71-4702-813d-991e1f597054"},"_deposit":{"created_by":9,"id":"1435","owners":[9],"pid":{"revision_id":0,"type":"depid","value":"1435"},"status":"published"},"_oai":{"id":"oai:nittaidai.repo.nii.ac.jp:00001435","sets":["95:96:191"]},"author_link":["7091"],"control_number":"1435","item_10002_biblio_info_29":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2018-09-30","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"1","bibliographicPageEnd":"24","bibliographicPageStart":"11","bibliographicVolumeNumber":"48","bibliographic_titles":[{"bibliographic_title":"日本体育大学紀要","bibliographic_titleLang":"ja"},{"bibliographic_title":"Bulletin of Nippon Sport Science University","bibliographic_titleLang":"en"}]}]},"item_10002_description_27":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"While the invention of the piano in 1709 represented a structural advance, its design evolved through repeated improvements over the years, particularly during the time of Beethoven. Later, improvements continued in aspects such as range, volume, lightness of key touch, and pedals, so that by the time of Liszt the piano largely had taken on the same style as that of today’s instrument. A wide range of studies and efforts are underway today concerning matters such as the structures and materials of pianos. Together with advances in the piano, piano music too has been mass produced by composers, and a very large number of musicians have played the instrument. The performance of works arranged for the piano is one form of piano performance. Arrangement refers to modifying a work of music originally optimized for one style of performance to another. When performing works of orchestral music on the piano, even more than the effort of reading music from a score consisting of multiple levels, the ability to perform a score arranged for solo piano enables the player to grasp an overview of the work as a whole and to experience fully the joy of musical expression. The piano possesses the same range as the musical instruments of an orchestra, and it is capable of expressing even the fine details of chords and harmony as a solo instrument. It can be considered that a score suitable to such aspects would be very useful in learning music. There are various techniques for arranging music. Unfortunately, those who would like to try playing orchestral works on the piano often are scared away by the difficulty of performing them. This led us to consider the possibility of arranging such works so that even beginning piano players could enjoy performing them. Looking at the subject of the first movement of Beethoven’s Symphony no. 5 in C minor, op. 67, this paper considers a technique for arranging orchestral works for solo piano performance through practice arranging works for specific skill levels, focusing on arrangement mainly from the perspective of the performer.","subitem_description_language":"en","subitem_description_type":"Abstract"},{"subitem_description":"ピアノは，1709年に発明された。構造上の発明であったが，これにより，特にベートーヴェンの時代に改良を重ね，進化を遂げた。その後，音域・音量・打鍵の軽量・ペダル等においての改良が続き，リストの時代におおよそ現代のものと同じスタイルとなり，現在においても構造・材質等にも様々な研究や試みがなされている。ピアノの発展とともに，ピアノ音楽も作曲家により量産され，演奏者も多く出現することになった。ピアノを演奏する型のひとつとして，編曲作品を演奏することが挙げられる。編曲とは，楽曲を他の演奏形態に適するように改編することである。管弦楽作品をピアノで演奏する場合，その何段にも亘るスコアから音を読み取る労力よりも，ピアノ独奏用に編曲された楽譜によって演奏することができれば，その作品の全体像を掴むことや，音楽を表現する喜びを十分に味わうことができる。ピアノは，音域もオーケストラの諸楽器の音域を有しており，単体楽器でありながら和音・和声といった細かい部分の表現も可能である。このような楽譜は，大変有用性の高いものであると考える。編曲法に関しては，多様な技法がある。管弦楽作品をピアノで弾いてみたいと願う者にとって，演奏難易度が高く，敬遠してしまうことも多々ある。それは大変残念なことである。そこで，様々なレヴェルでも演奏して音楽を楽しめる編曲を試みた。本論文では，ベートーヴェン交響曲第5番『運命』ハ短調作品67第1楽章を題材として，演奏者側からの視点による編曲に主眼を置き，レヴェル別による編曲の実践を通して，管弦楽作品をピアノ独奏用に編曲する技法について論じる。","subitem_description_language":"ja","subitem_description_type":"Abstract"}]},"item_10002_description_62":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"subitem_description":"原著論文","subitem_description_language":"ja","subitem_description_type":"Other"}]},"item_10002_publisher_55":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"日本体育大学","subitem_publisher_language":"ja"}]},"item_10002_source_id_30":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"0285-0613","subitem_source_identifier_type":"PISSN"}]},"item_10002_source_id_32":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AN00194152","subitem_source_identifier_type":"NCID"}]},"item_10002_subject_39":{"attribute_name":"日本十進分類法","attribute_value_mlt":[{"subitem_subject":"761.8","subitem_subject_scheme":"NDC"}]},"item_10002_version_type_38":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_access_right":{"attribute_name":"アクセス権","attribute_value_mlt":[{"subitem_access_right":"open access","subitem_access_right_uri":"http://purl.org/coar/access_right/c_abf2"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"中島, 龍一","creatorNameLang":"ja"},{"creatorName":"Nakajima, Ryuichi","creatorNameLang":"en"},{"creatorName":"ナカジマ, リュウイチ","creatorNameLang":"ja-Kana"}],"familyNames":[{},{},{}],"givenNames":[{},{},{}],"nameIdentifiers":[{},{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2018-09-28"}],"displaytype":"detail","filename":"48-1-11-24.pdf","filesize":[{"value":"2.4 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"48-1-11-24","objectType":"fulltext","url":"https://nittaidai.repo.nii.ac.jp/record/1435/files/48-1-11-24.pdf"},"version_id":"5059ad69-eda1-458a-aeb1-ac0c62e3ba24"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"piano","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"arrangement","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"orchestral music","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"ピアノ","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"編曲","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"管弦楽","subitem_subject_language":"ja","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"管弦楽作品におけるピアノ独奏用編曲技法を探る : L. v. Beethoven交響曲第5番『運命』第1楽章を題材としたレヴェル別編曲の試み","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"管弦楽作品におけるピアノ独奏用編曲技法を探る : L. v. Beethoven交響曲第5番『運命』第1楽章を題材としたレヴェル別編曲の試み","subitem_title_language":"ja"},{"subitem_title":"Exploring techniques for arranging orchestral works for solo piano : an attempt to arrange the first movement of Beethoven’s Symphony no. 5 in C minor by skill level as a subject for piano learners","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"9","path":["191"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2018-09-28"},"publish_date":"2018-09-28","publish_status":"0","recid":"1435","relation_version_is_last":true,"title":["管弦楽作品におけるピアノ独奏用編曲技法を探る : L. v. Beethoven交響曲第5番『運命』第1楽章を題材としたレヴェル別編曲の試み"],"weko_creator_id":"9","weko_shared_id":-1},"updated":"2023-09-07T13:06:18.240476+00:00"}